Movie 1 Streets

INT. HOTEL ROOM - DAY

The camera pans to show a young man, lying on a hotel bed. He is shirtless, with his head in his hands. He looks troubled and tired.

CUT TO

EXT. CITY STREETS - DAY

The man is walking through the streets of the city, looking lost and confused. He stops at the corner of a street and looks around for some sort of direction. 

CUT TO

INT. HOTEL ROOM - DAY

The man is lying on the bed again, but he looks more determined now. He takes a deep breath and stands up, determined to take back control of his life. 

CUT TO

EXT. CITY STREETS - NIGHT

The man is walking through the streets again, but he looks different this time. He has a sense of purpose in his step and determination in his eyes. He is no longer looking for a way out. 

CUT TO

INT. HOTEL ROOM - NIGHT

The man is lying on the bed again, but this time he is sound asleep. His breathing is slow and even, and he looks peaceful. The camera pans away, as if to show that the man has taken back control of his life. 

FADE OUT.

INT. APARTMENT - DAY

FADE IN

A man is standing in the corner of the room. He is wearing a hoodie and looks fearful. He is surrounded by three men, all wearing balaclavas, pointing guns at him.

MAN: Please, don't hurt me!

ONE OF THE MEN: Make sure that person does not move. If he does, then put a bullet in him.

The man is very scared and does not move.

SECOND MAN: I have to remember where I come from and not forget that we black people. This game will not change any time soon because we will always get money; you never know what is happening in people's lives until it comes out in the open.

THIRD MAN: People are saying that I am on some bullshit. Don’t listen to people that don’t know shit about these streets? They will get you to put on your bulletproof vest. That shit isn’t happening to me.

The men laugh and walk away, leaving the man standing in the corner shaking and terrified.

FADE OUT.

FADE IN: 

EXT. STREET CORNER - DAY

We see a young man, JOE, standing on the corner. He looks around, his eyes darting in every direction. 

JOE

(to himself)

I gotta stay on point.

We see a few drug dealers lurking in the shadows. Joe's eyes meet one of them, and he quickly looks away.

EXT. ALLEYWAY - DAY

We see Joe walking down the alleyway, a few girls by his side. He looks back at them, a smirk on his face. 

JOE

(to himself)

Way back in the days, when I had all these girls by my side.

EXT. PARK - DAY

We see Joe and the girls walking in the park. Joe's mother is there, watching them with a stern expression on her face. 

JOE'S MOTHER

(to Joe)

You need to remember, son. It matters in your mother's eyes.

Joe looks away, embarrassed. 

EXT. STREET CORNER - DAY 

We see Joe back on the street corner, his eyes darting around. 

JOE

(to himself)

Sometimes, it's easy to lose everything you have. Better be careful what you wish for. 

FADE OUT.

FADE IN:

EXT. CITY STREET - DAY

A group of friends walk down a busy street. They talk and laugh as they go.

ANGLE ON:

The group stops in front of a well-known nightclub.

ANGLE ON:

The group enters the club.

INT. CLUB - NIGHT

The group spreads out around the club. They dance and enjoy themselves.

ANGLE ON:

One of the friends, JOE, looks around the club and notices a man in a mask at the bar.

ANGLE ON:

Joe approaches the man and notices that it is his old friend, MIKE.

JOE

Mike! Is that you?

MIKE

(taken aback)

Joe? What are you doing here?

JOE

I heard about what happened. I wanted to make sure you were okay.

Mike takes off his mask and looks away.

MIKE

I'm trying to stay on top of my game. People hate me no matter what I do.

JOE

I know. I've been through it too. But you don't have to go through it again.

Mike looks up at Joe with a newfound determination.

MIKE

You're right. I won't.

Joe puts a hand on Mike's shoulder.

JOE

I lost a lot of friends when they got iced. It's a bad feeling not knowing what to do.

MIKE

I know. But I appreciate you being here for me.

Joe smiles.

JOE

Our love for each other still beats, Mike. No matter what happens.

Mike nods and turns away. 

MIKE

Jesus had to die for us.

Joe smiles sadly.

JOE

I wish you the best, Mike.

Mike turns back to Joe and smiles.

MIKE

Thanks, Joe.

FADE OUT.

FADE IN:

EXT. STREET CORNER - NIGHT

The street is dark and empty. A group of friends stands in a circle, talking and laughing.

FRIEND 1

Hey, we're all getting money out here. Nobody's scared.

FRIEND 2

Yeah, but we can't just sit around and do nothing. We gotta make it happen.

FRIEND 3

You're right. We gotta do something.

Friend 1 takes out a gun and points it at the group.

FRIEND 1

First, we gotta murder all of them. We don't want 'em coming around here again. So keep your mouths shut and let's get to work. 

FRIEND 2

But what about my man? He's got a lot of work and he ain't trying to help us out.

FRIEND 1

It's alright. He's just trying to survive too. We all are.

The group disperses, each member determined to get the money they need.

FADE OUT.

FADE IN: 

EXT. CITY STREET - DAY

13-year-old JOSH is walking down the street, looking around nervously.

Suddenly, he notices a group of older men. They seem to be talking about something important.

JOSH approaches the group and they immediately stop talking.

JOSH

What are you guys talking about?

The men exchange a look before one of them steps forward.

MAN

It’s time for you to get money with us. You know, connections, drugs, that sort of thing.

JOSH

(nervously)

I don’t know. I’m just a kid.

The men laugh.

MAN

It doesn’t matter. You can take care of business, and that’s what it takes to be a man.

JOSH hesitates for a moment before nodding.

CUT TO:

EXT. ALLEYWAY - DAY

JOSH is walking down the alleyway, packing up drugs and money for the men.

Suddenly, two other men enter the alley. They seem to be looking for something.

JOSH

Can I help you?

The men exchange a look.

MAN 1

We’re looking for someone to set up for money. Someone with connections.

JOSH

I don’t know anyone with connections.

MAN 2

That’s okay. Just let us know if you hear anything.

The men walk away, leaving JOSH alone in the alleyway.

JOSH takes a deep breath and looks around. He takes a moment to count his blessings before he starts packing up the drugs and money again.

FADE OUT.

INT. BEDROOM - DAY

It's a calm and peaceful morning as the sun rises over the horizon.

CUT TO

EXT. A FIELD - DAY

Moses is walking through a field, deep in thought. He looks up to the sky as if searching for answers.

CUT TO

EXT. MOSES' HOME - DAY

Moses arrives home to find seven sisters sitting in a circle. He stops and stares in disbelief.

MOSES

What are you all doing here?

SISTER 1

We've come to speak with you, Moses. We understand that you're troubled and we wanted to help.

Moses looks at them with a mix of confusion and curiosity.

MOSES

How can you help me?

SISTER 2

We believe that you need to be reminded of the importance of being a good person while here on Earth. You never know when it's your time to go, so make sure to do the right thing and follow the teachings of Jesus Christ.

Moses smiles and nods his head.

MOSES

Thank you. I understand.

CUT TO

EXT. A FIELD - DAY

Moses is walking through the same field, but this time with a newfound sense of purpose and clarity. He stops and looks up to the sky, finally understanding what he's been searching for.

FADE TO BLACK

FADE IN:

EXT. STREET CORNER - DAY

A young man is walking down the street, looking around at the buildings. He stops in front of a street corner and looks around, seemingly lost in thought.

ANGLE - YOUNG MAN

He looks up and takes a deep breath.

YOUNG MAN

(to himself)

It's good to be something in this lifetime.

Suddenly, a group of young men appear from around the corner. They are all dressed in hoodies and look menacing.

GROUP OF YOUNG MEN

(menacingly)

Who's to say he still can't get killed?

The young man turns and runs away, but the group follows him.

ANGLE - YOUNG MAN

He runs, looking back over his shoulder to make sure the group is still following him. He turns a corner and is gone.

ANGLE - GROUP OF YOUNG MEN

The group stops and looks around in confusion.

GROUP OF YOUNG MEN

(confused)

When you're in these streets, it's hard.

FADE OUT.

INT. APARTMENT - DAY

The camera pans to a cramped, run-down apartment. In the center of the room sits a young man, JOE, in his early twenties. He has a bandage on his temple.

JOE

(narrating)

When you're out there hustling, getting locked up, it's no joke. I'm going to keep moving how I am moving. They say money is power. Selling drugs out here, money may come fast. However, when it's time to go to jail, that's the wrong part. In 1987, I got slashed in the temple.

The camera zooms out to reveal another man, MARK, standing in the corner. He is slightly older than Joe.

MARK

(angry)

Look, Joe. If you don't stop this drug business, it's only a matter of time before you get locked up and thrown in jail.

Joe looks down at the floor, a look of guilt and worry on his face.

JOE

I know, Mark. I know. But I don't have any other options. This is the only way I know how to make money.

Mark shakes his head and walks closer to Joe, a look of understanding on his face.

MARK

I understand, Joe. But please, be careful.

Joe looks up at Mark, a determined look on his face.

JOE

I will. I'm going to keep hustling and keep moving how I'm moving.

The camera zooms out as Joe stands up and walks out of the room. The camera fades to black.

FADE IN: 

EXT. BUSY STREET - DAY 

We see a man walking down a busy street. He looks determined and his mind is focused. 

INT. ALLEYWAY - DAY

The man is walking down a dark alleyway. Suddenly, he is attacked by a group of thugs. He is beaten and left for dead. 

EXT. STREET - DAY

Just then, an angelic figure appears and revives the man. He is filled with a newfound energy and strength. He stands up and looks around. 

EXT. SKYLINE - DAY

The man looks up at the skyline and his thoughts drift to his two daughters. He remembers their mothers and knows that his time is coming soon. He takes a moment to reflect on his life and the people he loves. 

FADE OUT.

INT. APARTMENT - DAY 

A young man sits nervously in a small apartment, looking around at the sparse furnishings. He is surrounded by a tense, oppressive atmosphere. 

Suddenly, there is a loud knock at the door. He jumps up, startled and scared. 

The young man slowly opens the door to reveal a group of people, all dressed in matching black suits. One of them steps forward, holding a mysterious box. 

LEADER

We know what you did. You wanted everyone in your life to be okay, even if it meant becoming a murderer in the game. 

The young man looks around nervously. 

LEADER (CONT'D)

But now you must face the consequences. Who can you trust? 

The group steps closer to the young man, their expressions unreadable. 

LEADER (CONT'D)

We’re here to make sure you understand why we are here on Earth. We must stick together. 

The young man looks up at them with a mixture of fear and determination. 

YOUNG MAN

I understand. 

The group stares at him for a moment longer before they turn and walk away. The young man watches them go, his eyes reflecting a newfound understanding of the world. 

FADE OUT.

FADE IN: 

INT. LIVING ROOM - DAY

The living room is filled with a warm, inviting atmosphere. Two people, JOE and MELISSA, are lounging on the sofa, talking and laughing.

JOE

You know, they say hell has no feeling.

MELISSA

Yeah, but I think the best place to go is heaven.

JOE

(smiling)

Maybe we can make it there someday.

MELISSA

(smiling back)

We can try.

The two of them share a tender moment, looking into each other's eyes. Suddenly, they hear a voice from offscreen.

VOICE (O.S.)

When two people are in love, let's make them feel better by helping them out with their problems.

Joe and Melissa look up, surprised. They don't know who is speaking, but the voice is comforting and kind.

JOE

(To Melissa)

Maybe we should take that advice.

MELISSA

(smiling)

I think that's a great idea.

CUT TO: 

EXT. PARK - DAY 

Joe and Melissa are walking together in the park. They are helping each other with their problems, talking and laughing as they go.

MELISSA

People have to understand we all need help sometimes.

JOE

(smiling)

You're absolutely right.

They share a hug and keep walking, enjoying each other's company. 

FADE OUT.

FADE IN:

EXT. HOUSE - DAY

A family of four is gathered in their living room. The father, MARK, is sitting on the couch looking forlornly at his daughter, SARAH.

MARK: I don’t know what to do, Sarah. I want to be there for you, but I just don’t know how.

Sarah looks up at her father.

SARAH: Dad, I think the best way to go about it is to ask for help.

MARK: (sighs) I know. The time away from you and your mom has been hard.

SARAH: That’s why it’s hard for you. I know you just want to show me how much you love me.

MARK: But that means the way we did what we did was not good in everybody’s eyes.

Sarah puts her arm around her father.

SARAH: It’s okay, Dad. We can get through this together. Let’s just take it one step at a time.

MARK: (smiles) I love you, Sarah.

FADE OUT.

INT. APARTMENT - NIGHT

The room is dark and quiet. We hear the faint sound of video game music playing.

CUT TO

INT. GAMING ROOM - NIGHT

We see an enthusiastic young man playing a video game. He’s having a great time, and money is coming in fast.

Suddenly, the door to the room bursts open. A tall, menacing figure strides in.

The young man looks up, fear in his eyes.

INT. APARTMENT - NIGHT

The young man gets up from his chair, his heart racing. He knows something is wrong. He quickly gathers his things and flees the apartment.

EXT. STREETS - NIGHT

The young man runs through the streets, trying to stay ahead of whoever is following him. He looks over his shoulder, but can’t see anyone.

He finds an alley and ducks into it, trying to hide. He crouches in the shadows, his breathing heavy.

Suddenly, he hears footsteps coming closer. He’s terrified.

Suddenly, a voice calls out from the darkness.

VOICE

It’s okay, you’re safe now.

The young man looks up to see a police officer standing in the alley.

POLICE OFFICER

It’s not safe out here. You need to get home.

The young man nods, relieved. He knows he was lucky to have gotten away.

The police officer turns to leave, but stops. He looks back at the young man and speaks.

POLICE OFFICER

That’s a terrible feeling to anybody that had to go through that.

The young man nods in agreement, thankful for the officer’s understanding.

FADEOUT.

INT. HOUSE - DAY

We see a young man and a girl heading out for school. They are walking down the street when suddenly the girl stops and yells out a name. The young man stops and looks around nervously. 

EXT. CORNER - DAY

The girl is keeping an eye out, while the young man quickly darts back up the stairs to the house.

INT. HOUSE - DAY

The young man enters the house, out of breath. He looks around and sees his uncle standing in the living room, and quickly runs to the closet. He grabs a baby nine addition and hides it in his pocket. 

EXT. STREET - DAY

The young man and girl are walking away from the house. They exchange a knowing look and continue on their way. 

FADE OUT.

INT. CITY STREET - DAY

Two people, a man and a woman, are walking down a busy street. They both look anxious.

MAN

I'm going to do it. I'm going to aim for the temple.

WOMAN

We don't know what's going to happen.

The woman stops and the man keeps walking, determined.

EXT. TEMPLE - DAY

The man stands in front of a large temple, looking up. He takes a deep breath before entering.

INT. TEMPLE - DAY

The man steps inside and looks around. He notices a group of people sitting around a table. They all look up as he approaches them.

MAN

I'm here to take care of our family company.

They all look at the man skeptically.

MAN (CONT'D)

If you had to live with her, you would know how she acted.

They all exchange glances, then look back at the man.

MAN (CONT'D)

They feel like their pockets are getting lower. Nevertheless, who really cares? What are you all going to do to me? Nothing right.

The man looks around the table, his gaze steady. The group looks back at him, unsure of what to say.

FADE OUT.

INT. HOUSE - DAY

FADE IN

We see a YOUNG MAN looking out of a window in his house. He looks thoughtful and contemplative.

YOUNG MAN

(voice-over)

I'm going to show you how quickly money can stack up. We shouldn't hurt each other because that's the wrong thing to do. That's not where I want to be at. 

EXT. SIDEWALK - DAY

We see the YOUNG MAN walking down a sidewalk in a residential neighborhood. He looks around, taking in the sights and sounds.

YOUNG MAN 

(voice-over)

I know how they felt. You have to make that clearer to me.

EXT. PARK - DAY

We see the YOUNG MAN sitting on a park bench. He is holding a small stack of bills. He looks up, as if to the sky, and smiles. 

YOUNG MAN

(voice-over)

Money can stack up quickly. With the right decisions and a bit of luck, you can make a better future for yourself. 

FADE OUT.

INT. APARTMENT - DAY

The room is filled with a soft light, illuminated by two people playing music together. A man and woman sit side by side, playing their instruments. 

MAN

When I think about you, I want you more. I thank God. That's why I'm here.

The man looks into the woman's eyes and takes her hand.

MAN

I miss you, baby. That's why we are together.

The woman smiles and leans in closer to the man.

WOMAN

I didn't ask you for help, but somebody is here to help me with this music.

The woman turns to reveal another person in the room, a musician playing a different instrument.

WOMAN

I need help because two people making music is better than one. 

The man and woman smile at each other and start playing their instruments together. The room is filled with the sound of their music. 

FADE OUT.

INT. DINER - DAY

A young rapper, JOE, sits in a diner, looking out the window. He looks frustrated and thoughtful. 

JOE

(to himself)

Why did I have to go through this? Why is it that some people go to hell? I wanted to know the reason for that...

Suddenly, Joe hears the sound of rap music coming from outside. He looks out the window and sees a group of young kids rapping about money and cars. He looks away, discouraged. 

JOE

(sighs)

I wanted to be different from them. 

Suddenly, Joe feels a strange power come over him. He looks up and sees a bright light coming from the sky, and he knows it's the power of God. 

JOE

My body was feeling the power of God. 

Joe smiles, feeling a newfound strength. He turns back to the window and looks out at the kids rapping. He knows now that he can be different. 

FADE OUT.

INT. HOUSE - DAY

The sun is shining through a window in a dimly lit house. A figure sits alone in the corner, their face obscured by shadows. A tense atmosphere fills the air.

The figure stands and starts pacing around the room, their fists clenched.

FIGURE

My mind got to be in these streets. You have to have a connection with people that will murder for you. People that are not scared to go to jail for you. That’s what I need. It was nothing in the chamber or the clip. Days go by, and it’s mad heat inside the house. I’m not playin’.

EXT. STREET - DAY

The figure is walking through an alleyway, their face still obscured by shadows. They stop and look around.

Suddenly, a group of people appear from the shadows. They are all dressed in dark clothing, their faces hidden by hoods.

The figure steps closer and the group of people surround them.

LEADER

You need us, huh?

The figure nods.

LEADER

You got it. We’ll take care of it.

The group disappears into the shadows, leaving the figure alone. 

EXT. STREET - LATER

The figure has now been joined by the group of people. They are armed with guns and knives.

The figure leads the group down the street, their faces still hidden.

EXT. HOUSE - NIGHT

The group of people stand outside a house. The figure steps forward and knocks on the door.

A voice calls from inside.

VOICE

Who is it?

The figure doesn’t answer. They just step back and the group of people open fire on the house.

EXT. STREET - DAY

The figure stands alone in the street, a satisfied look on their face.

FIGURE

That’s what I need.

FADE OUT.

INT. LIVING ROOM - DAY

A young woman, JANE, sits on the couch reading the Bible. She is looking for answers about a dot on her hand.

JANE

What does this mean?

Suddenly, her husband, JOHN, rushes in holding their two children. 

JOHN

We have to go. Now.

Jane packs up the Bible quickly and they hurry out the door.

EXT. STREETS - DAY

Jane and John hurry down the street towards a taxi.

INT. TAXI - DAY

Jane and John ride in the back seat. John looks at Jane with concern.

JOHN

We need to talk.

JANE

What about?

JOHN

Sex, money, and murder. How we will handle all of these things as a family.

JANE

We will handle them together, with faith.

John nods and takes her hand.

FADE OUT

INT. DARK ALLEYWAY - NIGHT

A figure, silhouetted by streetlights, is walking hurriedly down the alley. The figure is determined, and it's clear that they have a destination in mind.

Suddenly, a group of menacing figures emerge from the shadows. The figure stops, looking around them. They know they're in trouble.

FIGURE

I know the spot is getting hot. They get down for theirs. That's how it's supposed to be. This is the way I am.

The menacing figures close in. The figure takes a deep breath and stands their ground.

FIGURE

They say if I die, "Darkness will come." I'm not running from death anymore. How do those words sound?

The figure stands tall, ready to face the danger. Fade to black.

INT. APARTMENT – DAY

Fade in on a small, sparsely decorated apartment. A young man, JAMES, is sitting on the couch, looking out the window.

JAMES

(sighs)

Being me is a hard job. There's just too much money out here.

He looks around the room, his eyes full of sadness.

JAMES

No family. No one to lean on.

Suddenly, he hears a knock on the door. He stands up and opens the door.

RED

Hey, James. I heard you needed some help.

JAMES

(smiles)

Red! You came!

Red steps inside.

RED

I'm here for you, whatever you need.

The two of them embrace.

JAMES

Thanks, Red. I feel so much better now.

Fade out